<em>Undoing the Rope</em>, 1995. Oil on wood, 24 x 24 in. (61 x 61 cm)

<em>Fire Pillar</em>, 1994. Oil on wood, 14 x 18 in. (36 x 46 cm)

<em>A Branch of Myrtle</em>, 1995. Oil on wood, 7 x 7 in. (18 x 18 cm)

<em>Wrestle by the Shore</em>, 1995. Oil on canvas, 24 x 36 in. (61 x 91 cm)

<em>I Peter</em>, 1996. Oil on wood, 8 x 10 in. (20 x 26 cm)

<em>Valley of Gods</em>, 1995. Oil on canvas, 48 x 66 in. (122 x 168 cm)

<em>Shadow of the Bear</em>, 1995. Oil on canvas, 15 x 18 in. (38 x 46 cm)

<em>A Dream Stayed Into Daylight</em>, 1996. Oil on wood, 18 x 15 in. (46 x 38 cm)

<em>Till We have Faces</em>, 1995. Acrylic on canvas, 76 x 96 in. (193 x 244 cm)

<em>Ungit</em>, 1995. Ink on paper, 12 x 12 in. (30 x 30 cm)

<em>Do Not Do It</em>, 1995. Acrylic on canvas, 66 x 48 in. (168 x 122 cm)

<em>Fighting the Rope</em>, 1995. Ink on paper, 20 x 30 in. (51 x 76 cm)

<em>West Winds II</em>, 1995. Ink on paper, 16 x 22 in. (41 x 56 cm)

<em>Wrestle by the River</em>, 1995. Ink on paper, 16 x 22 in. (41 x 56 cm)

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Till We Have Faces

I was captivated by a Greek myth of Cupid and Psyche, as retold by C.S. Lewis in his novel Till We Have Faces. The story—about Love, human and divine, and what we do in the name of love in our lives—was strangely moving and beautifully haunting.

Images fell out of each page. I drew and painted feverishly for many months. The sentiment remains clear, in me always.

Till We Have Faces

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